Perhaps the aesthetic weight of the sweater would lead to think, a priori, that the best strategy to not fail is to reduce the accessories to a minimum. However, the look of Emili Sindlev shows that the opposite path is the one that really (or also) leads to a good result. It cannot be ignored that the outfits of one of the most popular Danish street style are characterized by a good dose of risk both in shapes and colors (with the permission of Jeanette Madsen, she is one of the women who more and better dominates the seemingly impossible combinations), something that is evident here thanks to the shoulder pads of the sweater (unusual) and the tones of the bag. But yes, the equation works: by choosing cool, relatively neutral colors (it’s hard to go wrong with black and blue) as a base, warmer accents make all the sense in the world. In addition, it helps to lighten the attention of the upper part of the sweater when taking it down, both by chromatic range, and by silhouette: it is difficult to look away from heels as high as interesting.
Here is one of the most frequent and repeated styling tricks by insiders; So much so, that it could well be considered a hyper-known classic that no longer surprises. But the fair thing is to put aside the curse of the infallible (the one that says that when something is so perfect, it is taken for granted and left only for the most prosaic occasions) and remember all the benefits of this gesture, ranging from extending the life of summer skirts to giving a slightly casual twist to those more sophisticated dresses that came to the closet for a special night. Here the material of the bottom plays a fundamental role: the lighter, the greater contrast and impact it will produce with the thick texture of the sweater. To this effect it also helps that there is some transparency in the skirt and chromatic unity, playing (almost) to the monochrome look.